Lahore has seen a myriad of melodies, genres, and vocals alongside a variety of musical instruments (both new and old) over the past few decades. This has given rise to the city’s diverse sound of music and rapidly evolving culture.
Lahore's Music ranges from the earthy [[qawwali]]s of [[Nusrat Fateh Ali Khan]], the Punjabi ditties of [[Abrar-ul-Haq]], the pop sensations; [[Atif Aslam]] and [[Ali Zafar]], the Sufi-Rock of [[Junoon (band)|Junoon]], the underground Lahori grunge/rock revolution (of a handful of bands) in the early 90s and to the revolutionaries of yesteryear – [[Noor Jehan]], [[Farida Khanum]], Ustad [[Amanat Ali Khan]] and many more. In addition, the dhol maestro, [[Pappu Sain]], and the master of the iktara, Saien Zahoor (both of whom have shared their glory performing for people at shrines to concerts), to the fresh crop of commercialized Lahori pop acts (of both the past and today), to the jaded, angst-ridden rockers/bands such as Shahzad Hameed, [[Call (band)|Call]], and [[Entity Paradigm]]; music from Lahore has been assorted at best. In fact, the Lahori music scene has churned out so many musicians over the years that it would be almost impossible to list each band/musician down. Nonetheless, each has contributed to the country’s music scene on a macro level – making it what it is today; pulsating with promise.
Even though things have been on the down slide – given the worldwide economic recession and the security situation within the country – the local musicians have still managed to stay in the game by taking out albums (some of which are completely self-funded), and playing at concerts and gigs throughout the country.<ref>[http://lahorenama.wordpress.com/2009/05/20/a-tale-of-two-cities/#more-1230 A Tale of Two Cities]</ref>
Lahore is also famously known in the Indian subcontinent for its [[mujra]] dance, which originated in the courts of the Mughals and has been passed on through successive generations by traditional women practitioners.