History of Bahawalpur Pakistan

Bahawalpur is Pakistan’s 12th ancient city that is regarded as Punjab’s division. Its foundations were laid by the second ruler of David Pota a Sindhi family and so named after him as Bahawalpur. This on is regarded as the socially an economically developed city of Pakistan having all the basic facilities of the need. Bahawalpur state history is stated in the following in Urdu article.

History of Bahawalpur
Bahawalpur History in Urdu

History of Lahore Pakistan in Urdu

Lahore is a metropolitan city of Pakistan. It is provincial capital of Punjab and one of the largest cities of Pakistan. Today population of Lahore is about 10,000,000 and total area is 1772 kms. Read about Lahore in Urdu.
Lahore History in Urdu

History of Islamabad Pakistan in Urdu 

Faisal MasjidIslamabad (اسلام آباد) is a capital of republic of Pakistan. It is one of the most beautiful cities in the world. History of Islamabad in Urdu is given explained here. “Shakar Paian”, “Daman-e-Koh” and “Chatar Bagh” are some of its worth seeing places. It has remained a historic place throughout the history of sub-continent.
History of Islamabad in Urdu

Punjab, Pakistan

==Etymology==
The word ''Punjab'' is a combination of the [[Indo-Iranian languages|Indo-Iranian]] words ''panj'' (''five'') and ''āb'' (''water''), thus the (land of) ''five rivers''.{{cite book| title=Federalism, Nationalism and Development: India and the Punjab Economy| first=Pritam| last=Singh| publisher=Routledge| year=2008| ISBN=0415456665| pages=3| url=http://books.google.com/books?id=mQLDcjhNoJwC&printsec=frontcover#v=onepage&q&f=false| location=London; New York}} The five rivers are the tributaries of the [[Indus River]] namely [[Chenab River|Chenab]], [[Jhelum River|Jhelum]], [[Ravi River|Ravi]], [[Beas River|Beas]] and [[Sutlej River|Sutlej]]. Sometimes, in English, there can be a definite article before the name i.e. ''the Punjab''.{{cite web|url=http://www.cic.gc.ca/english/information/security/police-cert/asia-pacific/india.asp|title=How to obtain a police certificate - India|publisher=Cic.gc.ca|date=2009-11-09|accessdate=2010-07-18}} The name is also sometimes spelt as ''Panjab'' or ''Panjaab'' or ''Punjaab''. From the [[Himalayas]] they all end up in the down-stream of [[Panjnad]], eventually to the [[Arabian Sea]].

Urdu

Urdu arose in the [[language contact|contact]] situation which developed from the invasions of the [[Indian subcontinent]] by [[Persian people|Persian]] and [[Turkic peoples|Turkic]] dynasties from the 11th century onwards,[http://www.docstoc.com/docs/16006257/History-of-Urdu-language] first as [[Mahmud of Ghazni|Sultan Mahmud]] of the [[Ghaznavids|Ghaznavid empire]] conquered [[Punjab region|Punjab]] in the early 11th century, then when the [[Ghurid Dynasty|Ghurids]] invaded northern India in the 12th century, and most decisively with the establishment of the [[Delhi Sultanate]].

The official language of the [[Ghurids]], [[Delhi Sultanate]], the [[Mughal Empire]], and their successor states, as well as the cultured language of poetry and literature, was [[Persian language|Persian]], while the language of religion was [[Arabic language|Arabic]]. Most of the [[Sultan]]s and nobility in the Sultanate period were Turks from [[Central Asia]] who spoke [[Chagatai language|Turkic]] as their mother tongue. The [[Mughal Empire|Mughals]] were also Chagatai, but later adopted Persian. [[Muzaffar Alam]] asserts that Persian became the ''lingua franca'' of the empire under Akbar for various political and social factors due to its non-sectarian and fluid nature.Alam, Muzaffar. "The Pursuit of Persian: Language in Mughal Politics." In ''Modern Asian Studies'', vol. 32, no. 2. (May, 1998), pp. 317–349. However, the armies, merchants, preachers, [[Sufi]]s, and later the court, also incorporated the local people and the medieval Hindu literary language, [[Braj Bhasha]]. This new contact language soon incorporated other dialects, such as [[Haryanvi]], [[Panjabi language|Panjabi]], and in the 17th century [[Khariboli]], the dialect of the new capital at [[Delhi]]. By 1800, Khariboli had become dominant.H. Dua, 2006, "Urdu", in the ''[[Encyclopedia of Language and Linguistics]]'', 2nd edition.

The language went by several names over the years: ''[[Hindawi]]'' or ''[[Hindi (disambiguation)|Hindī]]'', "[language] of India"; ''[[Dehlavi]]'' "of Delhi"; ''[[Hindustani language|Hindustani]]'', "of [[Hindustan]]"; and ''Zaban-e-Urdu'', "the language of the [army] camp", or perhaps "of the [[Urdu Bazar|market]]", from which came the current name of ''Urdu'' around the year 1800.

When [[Wali Mohammed Wali]] arrived in Delhi, he established Hindustani with a light smattering of Persian words, a [[register (sociolinguistics)|register]] called [[Rekhta]], for poetry; previously the language of poetry had been Persian. When the Delhi Sultanate expanded south to the [[Deccan Plateau]], they carried their literary language with them, and it was influenced there by more southerly languages, producing the [[Dakhini]] dialect of Urdu. During this time Hindustani was the language of both Hindus and Muslims. The communal nature of the language lasted until it replaced Persian as the official language in 1837 and was made coofficial along with English in the [[British Raj]]. This triggered a Hindu backlash in northwestern India, which argued that the language should be written in the native [[Devanagari]] script. This "Hindi" replaced traditional Urdu as the official register of [[Bihar]] in 1881, establishing a sectarian divide of "Urdu" for Muslims and "Hindi" for Hindus, a divide that was formalized with the division of India and Pakistan after independence from the British, though there are Hindu poets who continue to write in Urdu to this day.

Although there have been attempts to purge Urdu and Hindi, respectively, of their [[Sanskrit]] and Persian words, and new vocabulary draws primarily from Persian and Arabic for Urdu and Sanskrit for Hindi, this has primarily affected academic and literary vocabulary, and both national standards remain heavily influenced by both Persian and Sanskrit.[http://www.theurdulanguage.com/History.htm] English has exerted a heavy influence on both as a coofficial language.

Punjabi language

History
Punjabi is an [[Indo-Aryan languages|Indo-Aryan]] language like many other modern languages of [[South Asia]]. It is a descendant of [[Sauraseni Prakrit]], which was the chief language of medieval northern India.''India's culture through the ages'' by Mohan Lal Vidyarthi. Published by Tapeshwari Sahitya Mandir, 1952. Page 148: "From the apabhramsha of Sauraseni are derived Punjabi, Western Hindi, Rajasthani and Gujerati [sic]..."National Communication and Language Policy in India By Baldev Raj Nayar. Published by F. A. Praeger, 1969. Page 35. "...Sauraseni Aprabhramsa from which have emerged the modern Western Hindi and Punjabi."[http://linguistlist.org/forms/langs/LLDescription.cfm?code=psu The Sauraseni Pr?krit Language]. "This Middle Indic language originated in Mathura, and was the main language used in drama in Northern India in the medieval period. Two of its descendants are Hindi and Punjabi."

Punjabi emerged as an independent language in the 11th century. The first traces of Punjabi language can be found in works of nath yogis(jogis) gorkahnath & charpat nath in 9th & 10th century. The Punjabi literary tradition is popularly seen to commence with [[Fariduddin Ganjshakar]] (Baba Farid) (1173–1266), many ancient Sufi mystics and later [[Guru Nanak Dev]] ji, the first Guru of [[Sikhism]]. The early Punjabi literature was principally spiritual in nature and has had a very rich oral tradition. The poetry written by Sufi saints has been the folklore of the Punjab and is still sung with great love in any part of Punjab.{{Citation needed|date=September 2010}}

Between 1600 and 1850, Muslim Sufi, Sikh and Hindu writers composed many works in Punjabi. The most famous Punjabi Sufi poet was [[Baba Bulleh Shah]] (1680–1757), who wrote in the [[Kafi]] style. Bulleh Shah practiced the Sufi tradition of Punjabi poetry established by poets like [[Shah Hussain]] (1538–1599), [[Sultan Bahu]] (1629–1691), and [[Shah Sharaf]] (1640–1724). His lifespan also overlapped with the legendary Punjabi poet [[Waris Shah]] (1722–1798), of [[Heer Ranjha]] fame. [[Waris Shah]]'s rendition of the tragic love story of [[Heer Ranjha]] is among the most popular medieval Punjabi works. Other popular tragic love stories are [[Sohni Mahiwal]], [[Mirza Sahiba]] and [[Sassi Punnun]]. [[Shah Mohammad]]'s [[Jangnama]] is another fine piece of poetry that gives an eyewitness account of the [[First Anglo-Sikh War]] that took place after the death of [[Ranjit Singh|Maharaja Ranjit Singh]].

The linguist [[George Abraham Grierson]] in his multivolume ''[[Linguistic Survey of India]]'' (1904–1928) used the word "Punjabi" to refer to several languages spoken in the [[Punjab region]]: the term "[[Western Panjabi language|Western Punjabi]]" ([[ISO 639-3]] pnb) covered dialects (now designated separate languages) spoken to the west of [[Montgomery District|Montgomery]] and [[Gujranwala District|Gujranwala]] districts, while "Eastern Punjabi" referred to what is now simply called Punjabi ([[ISO 639-3]] pan)Shackle 1970:240 After [[Saraiki language|Saraiki]], [[Pothohari language|Pothohari]] and [[Hindko]] (earlier categorized as "Western Punjabi") started to be counted as separate languages, the percentage of Pakistanis recorded as Punjabi speakers was reduced from 59% to 44%. Although not an official language, Punjabi is still the predominant language of Pakistan.

Modern Punjabi is not the predominant language of the [[Sikh scriptures]] (which though in Gurmukhi script are written in [[Sikh scriptures#Languages|several languages]]).{{Cite book
| first = Paul R.
| last = Brass
| title = Language, Religion and Politics in North India
| publisher = iUniverse
| year = 2005
| isbn = 9780595343942
| page = 326
}}
A few portions of Guru Granth Sahib use the Punjabi dialects, but the book is interspersed with several other languages including [[Brajbhasha]], [[Khariboli]], [[Sanskrit]] and [[Persian language|Persian]].The Adi Granth: Or The Holy Scriptures Of The Sikhs by Ernest Trumpp. 2004. ISBN 81-215-0244-6. [[Guru Gobind Singh]], the last Guru of the Sikhs composed [[Chandi di Var]] in Punjabi, although most of his works are composed in other languages like Braj bhasha and Persian.

However, in the 20th century, the Punjabi-speaking Sikhs started attaching importance to the Punjabi written in the Gurmukhi script as a symbol of their distinct identity. The Punjabi identity was affected by the communal sentiments in the 20th century. [[Bhai Vir Singh]], a major figure in the movement for the revival of Punjabi literary tradition, started insisting that the Punjabi language was the exclusive preserve of the Sikhs.[http://www.apnaorg.com/articles/ishtiaq8/ Punjabis Without Punjabi] By Ishtiaq Ahmed. The News, 24 May 2008. After the [[partition of India]], the [[Punjab region]] was divided between Pakistan and India. Although the Punjabi people formed the 2nd biggest linguistic group in Pakistan after Bengali, Urdu was declared the national language of Pakistan, and Punjabi did not get any official status. The Indian Punjab, which then also included what are now [[Haryana]] and [[Himachal Pradesh]], became [[Hindi]]-majority.

In the 1960s, the [[Shiromani Akali Dal]] proposed "[[
Punjabi Suba]]", a state for Punjabi speakers in India. Paul R. Brass, the Professor Emeritus of Political Science and South Asian Studies at the University of Washington, opines that the Sikh leader [[Fateh Singh (Sikh leader)|Fateh Singh]] tactically stressed the linguistic basis of the demand, while downplaying the religious basis for the demand—a state where the distinct Sikh identity could be preserved. The movement for a Punjabi Suba led to trifurcation of Indian Punjab into three states: [[Punjab (India)]], [[Haryana]] and [[Himachal Pradesh]].

===Modern
Punjabi===
[[File:Punjab map.svg|right|thumb|300px|Punjabi is native to the [[Punjab region]] of South Asia]]

In India,
Punjabi is one of the 22 [[languages with official status in India]]. It is the first official language of Punjab (India). In Pakistan, Punjabi is the most spoken language and is the provincial language of [[Punjab (Pakistan)]] the second largest and the most populous province of [[Pakistan]].

The famous
Punjabi writers from Pakistan include:
*[[Shareef Kunjahi]]
*[[Mir Tanha Yousafi]]
*[[Sanawar Chadhar]]
*[[Abid Tamimi]]
*[[Anwar Masood]]
*[[Afzal Ahsan Randhawa]]
*[[Aatish]]
*[[Shaista Nuzhat]]

The famous Indian Punjabi poets in modern times are:
*[[Prof. Mohan Singh]]
*[[Amrita Pritam]]
*[[Balwant Gargi]]
*[[Shiv Kumar Batalvi]]
*[[Surjit Paatar]]

History of Lahore

  Lahore is the second largest city in Pakistan with a population of roughly 8.5 million. The traditional capital of Punjab for a thousand years, it had been the cultural center of Northern India extending from Peshawar to New Delhi. This preeminent position it holds in Pakistan as well. The people of   Lahore, when they want to emphasize the uniqueness of their town say " Lahore is Lahore".  Lahore is the city of poets, artists and the center of film industry. It has the largest number of educational institutions in the country and some of the finest gardens in the continent.
   Apart from being the cultural and academic centre of the country,  Lahore is the showcase for Mughal architecture in Pakistan. For more than 200 years, beginning from about 1524 AD,  Lahore was a thriving cultural centre of the great Mughal Empire. Mughal Emperors beautified  Lahore, with palaces, gardens and mosques.
   The original citadel city is situated one mile to the south of the river Ravi, and some 23 miles from the eastern border of the Punjab district. The walls of the city, when they were still standing, gave it a shape of a parallelogram. The total area inside the walls encompassed roughly 461 acres of land. The city is slightly elevated above the plain, and has a high ridge within it, running east and west on its northern side. The whole of this elevated ground is composed of the accumulated debris of many centuries.
   The origins of  Lahore are shrouded in the mists of antiquity but  Lahore is undoubtedly ancient. Legend has it that it was founded about 4,000 years ago by Loh, son of Rama, the hero of the Hindu epic, the Ramayana. Reminiscence of its hoary past is the remains of a subterranean temple attributed to Rama, in the northern part of the Royal Fort. Historically, it has been proved that  Lahore is at least 2,000 years old. Hieun-tasng, the famous Chinese pilgrim has given a vivid description of Lahore which he visited in the early parts of the 7 th century AD. Lying on the main trade and invasion routes to South Asia,  Lahore has been ruled and plundered by a number of dynasties and hordes. Muslim rule began here when Qutub-ud-din Aibak was crowned in Lahore in 1206 and thus became the first Muslim Sultan of the subcontinent. It waxed and waned in importance during the Sultanate. However, it touched the zenith of its glory during the Mughal rule from 1524 to 1752. The Mughals, who were famous as builders, gave  Lahore some of its finest architectural monuments, many of which are extinct today.
    It was Akbar's capital for 14 years from 1584 to 1598. He built the massive  Lahore Fort on the foundations of a previous fort and enclosed the city within a red brick wall boasting 12 gates. Jahangir and Shah Jahan (who was born in Lahore) extended the fort, built palaces and tombs, and laid out gardens. Jahangir loved the city and he and his wife Noor Jahan are buried at Shahdara. The last of the great Mughals, Aurangzeb (1658-1707), gave Lahore its most famous monument, the great Badshahi Masjid (Royal Mosque) and the Alamgiri gateway to the fort.
   During the eighteenth century, as Mughal power dwindled, there were constant invasions by the likes of Nadir Shah and Ahmed Shah Abdali. Lahore was a suba, a province of the Empire, governed by provincial rulers with their own court. These governors managed as best they could though for much of the time it must have been a rather thankless task to even attempt. The 1740s were years of chaos and between 1745 and 1756 there were nine changes of governors. Invasions and chaos in local government allowed bands of warring Sikhs to gain control in some areas.  Lahore ended up being ruled by a triumvirate of Sikhs of dubious distinction for about 30 years before Maharaja Ranjit Singh came to power in 1799 and finally managed to bring order for 40 odd years. He tried to bring back a glimmer of Mughal glory by renovating some of the monuments while adding some of his own. Because of scarcity of building material, marble and semi-precious gems were appropriated from the existing buildings to be used in the Sikh projects all over the empire. In general however, the Sikh period was bad news for the protection of ancient buildings. Some survived, misused and knocked about a bit and a few new ones were added. Nevertheless, descriptions of Lahore during the early 19th century refer to it as a "melancholy picture of fallen splendor."
    The British, following their invasion of  Lahore in 1849, added many buildings in "Mughal-Gothic" style as well as some shady bungalows and gardens. Early on, the British tended to build workaday structures in sites like the Fort, though later they did start to make an effort to preserve some ancient buildings. The  Lahore Cantonment, the British residential district of wide, tree-lined streets and white bungalows set in large, shaded gardens, is the prettiest cantonment in Pakistan. Since Independence in 1947, Lahore has expanded rapidly as the capital of Pakistani Punjab.
    Today, Lahore can be best described as a city that is just so wonderful, so very fabulous, that every nook and corner of the city speaks of certain vibrance, certain zeal, a spirit of life, which cannot be found anywhere else in the world. Perhaps it is the maturity of the city, which manifests itself in the various parts of Lahore. It is present in the monuments, in the bazaars, in the old buildings lining the Mall, or in the vast expanses of the sports grounds in the Cantonment. But most vividly, this great Lahori spirit is visible in the people of Lahore, the Zinda dilan-e-Lahore (The Zealous of Lahore).
     Lahore is a city of culture, of history, of an unrivaled charm that sets it apart from every other city on earth. It seems that great Lahori spirit has invaded and saturated this city over the centuries, to the effect that  Lahore today is not just a city, not just a place in one corner of this planet, but a whole universe in itself; what to say of similarities to other Mughal cities...the average Lahori is that same old Mughal prince of bygone ages, one only has to get to know him. There is an old saying, that in every Lahori, there is a Mughal prince.
    The description of the pure Lahori spirit conveniently evades the mind, adding to the mysteries of this city. At best, it can be said that this spirit pervades the citadel and the slum alike. The city has known ages of cultural, intellectual, musical, literary and humanistic evolution, which has consequently led to the fermentation and over fermentation of this rich brew we call Lahore. Few cities of the world, if indeed any, can lay claim to such a wonderful past or present.
    All this makes Lahore a truly rewarding experience. The buildings, the roads, the trees and the gardens, in fact the very air of Lahore is enough to set the mind spinning in admiration. Many a poet has written about this phenomenon one experiences in the environs of Lahore. When the wind whistles through the tall trees, when the twilight floods the beautiful face of the Fort, when the silent canal lights up to herald the end of another chapter in history, the Ravi is absorbed in harmony, mist fills the ancient streets, and the havelis come alive with strains of classical music, the spirit of Lahore pervades even the hardiest of souls.
Old Names of Lahore
Laha-war
Laha-noor
Loh-pur
Mahmood-pur
Labokla
Samandpal Nagiri

Music and dance


Lahore has seen a myriad of melodies, genres, and vocals alongside a variety of musical instruments (both new and old) over the past few decades. This has given rise to the city’s diverse sound of music and rapidly evolving culture.
Lahore's Music ranges from the earthy [[qawwali]]s of [[Nusrat Fateh Ali Khan]], the Punjabi ditties of [[Abrar-ul-Haq]], the pop sensations; [[Atif Aslam]] and [[Ali Zafar]], the Sufi-Rock of [[Junoon (band)|Junoon]], the underground Lahori grunge/rock revolution (of a handful of bands) in the early 90s and to the revolutionaries of yesteryear – [[Noor Jehan]], [[Farida Khanum]], Ustad [[Amanat Ali Khan]] and many more. In addition, the dhol maestro, [[Pappu Sain]], and the master of the iktara, Saien Zahoor (both of whom have shared their glory performing for people at shrines to concerts), to the fresh crop of commercialized Lahori pop acts (of both the past and today), to the jaded, angst-ridden rockers/bands such as Shahzad Hameed, [[Call (band)|Call]], and [[Entity Paradigm]]; music from Lahore has been assorted at best. In fact, the Lahori music scene has churned out so many musicians over the years that it would be almost impossible to list each band/musician down. Nonetheless, each has contributed to the country’s music scene on a macro level – making it what it is today; pulsating with promise.

Even though things have been on the down slide – given the worldwide economic recession and the security situation within the country – the local musicians have still managed to stay in the game by taking out albums (some of which are completely self-funded), and playing at concerts and gigs throughout the country.<ref>[http://lahorenama.wordpress.com/2009/05/20/a-tale-of-two-cities/#more-1230 A Tale of Two Cities]</ref>

Lahore is also famously known in the Indian subcontinent for its [[mujra]] dance, which originated in the courts of the Mughals and has been passed on through successive generations by traditional women practitioners.

Culture of Lahore

==History of culture==
Lahore has played an important role in Pakistani history. It was in this city that Pakistan's independence declaration was made. It was the largest city in the newly formed Pakistan at the time of independence and provided the easiest access to India, with its porous border near the Indian city of [[Amritsar]] only {{convert|30|mi|km|0}} to the east. Large numbers of [[Hindu]]s, [[Sikh]]s, and [[Muslim]]s lived closely in Lahore before the independence of Pakistan.

The city suffered revolts, demonstrations and bloodshed at the time of independence due to the enmity between Muslims and Hindus at the time and the uncertainty which loomed over the fate of Lahore even after India and Pakistan became independent. Lahore's culture, its history, institutions, food, clothing, films, music, fashion, and liberal community lifestyle attract people from all over the country.

The city has many significant connections with [[Sikhism]] and played an important part in the history of the Sikh [[Gurus]]. [[Guru Ram Das]] was born at Bazaar Chuna Mandi, Lahore in 1534 A.D. [[Guru Arjan Dev]] got the foundation stone of Harmandir Sahib, laid by a Muslim Saint Hazrat Mian Mir Ji of Lahore in December 1588. Guru Arjan met an untimely death when he was tortured on the orders of the Emperor Jahangir in 1606 in this city.  The [[Samadhi of Ranjit Singh|Gurdwara Dehra Sahib]] and the [[Samadhi of Ranjit Singh|Samadhi (Mausoleum) of Ranjit Singh]] are located in Lahore.

==Arts and architecture==

{{Main|Architecture of Lahore}}
[[Image:Lahore Museum, Lahore.jpg|220px|right|thumb|Lahore Museum]]
Art of Lahore has a strong bearing upon the Mughal period. The historical monuments and buildings of Lahore stand as the specimen of Mughal art and architecture. However, the heritage also has a touch of [[Aryans]], [[Arabs]], [[Persian people|Persians]], [[United Kingdom|British]], [[Sikhs]] and [[Greeks]].

[[Lahore Fort]], [[Badshahi Mosque]], [[Shalimar Gardens]], Nur Jehan's Tomb, [[Tomb of Jahangir]], [[Anarkali]] [[Bazaar]], The [[Lahore Museum]], [[Chauburji]] or Char Minar and Bagh-e-Jinnah are some the major architectural works found in Lahore. The palaces/havelis, forts, madrassas and mosques make the Lahore art known among the rest of the world.
The art galleries of Lahore also display a number of artifacts belonging to the Mughal period. Many contemporary artworks are also exhibited in the art galleries of the city.

In modern days, parts of [[Bahria Town]] Housing Scheme in Lahore are themed on [[ancient Egyptian]] culture. There are many other architectural notables, including themes for different locales that make Bahria a a very interesting and well conceived scheme to visit and live in.[http://www.thesaturdaypost.com/spotlight_94_bahria.html A Tour of Bahria Town, Lahore]

The World Performing Arts Festival is held every autumn (usually in November) at the Alhambra cultural complex, a large venue consisting of several theatres and [[amphitheatre]]. This ten-day festival consists of musicals, theatre, concerts, dance, solo, mime, and puppetry shows. The festival has an international character, with nearly 80 percent of the shows performed by international performers. On average 15–20 different shows are performed every day of the festival.[http://www.peerfestivals.com World Performing Arts Festival]

Lahore is also the centre of Pakistan's puppetry industry. Although not economically viable as a business, the Peerzada family has been arranging puppetry festivals for more than a decade, at one point even bringing the biggest festivel in the world to Lahore.[http://splus.nation.com.pk/pakistan-news-newspaper-daily-english-online/Encounter/22-Aug-2009/No-strings-attached Faizan Peerzada - No Strings Attached!]

Lahore's biggest contributor to the art scene is undoubtedly the [[National College of Arts]], the country's, most prestigious art college, which has produced some of the country's most famous painters, writers, actors and musicians. There are also several art galleries throughout the city which hold exhibitions regularly among which the Drawing Room Art Gallery is the most popular.[http://www.dailytimes.com.pk/default.asp?page=2008\12\29\story_29-12-2008_pg7_42 The Drawing Room Art Gallery]